My practice is an exploration of sculpture through different materials, the unbound process acts as a direct communication between myself and the viewer.
I focus on the body as a vessel, exploring the holistic relationship between the external form and the internal spaces. I use sensual materials such as clay and fabric responding in a tactile approach that offers a personal and raw aspect to the ‘unsugared’ work. I intentionally reveal the seams of construction and make visible the hand of the maker, these craft affiliated materials and techniques centre my contemporary practice.

Using sculpture, textile, drawing and symbolic objects, I aim to create a performative platform, using the audience to interrupt the work by becoming a part of it. I enjoy setting up static scenes of unease, as anthropomorphic forms tempt to lick, spit or shout on the viewer. The work looks at us as much as we look at it.
The form of the body, and human experience holds huge intrigue within my practice, exploring extensions of my own body through sculpture and examining how the audience interacts with it. Fascinated by the human form, I focus on parts of the body and through my sculptures exaggerate limbs with multiple hands, create greasy dark tongues licking, leather ears and slumped skins hanging.